ROBERTS, JODI
u003cpu003eKahlo's iconic gender-bending self portraitu003c/pu003eu003cpu003eNeutral hues, an ill-fitting man's suit and wiggling locks of cut hair supplant Frida Kahlo's (1907-54) usual lively color palette, indigenous Mexican dress and long plaits in u003ciu003eSelf-Portrait with Cropped Hairu003c/iu003e (1940). Nevertheless, the painting remains unmistakably Kahlo's. In the wake of a divorce from artist Diego Rivera, Kahlo turns to her favorite genre, self-portraiture, to express her deepest emotional and psychological urges. Inscribed with the lyrics of a popular song that translate as "Look, if I loved you it was for your hair. Now that you're without it I no longer love you," the work oscillates between evocations of a popular culture shared by many and unflinching forays into the private sphere. Curator Jodi Roberts' essay, too, moves between the public and the private as it situates Kahlo's painting in the context of the Mexican Revolution's legacy, the Surrealist tradition and the artist's own life to explore the ways in which Kahlo constructed and reconstructed her own identity. u003c/pu003e